The Vlogger Interviews: Richard Reynolds [BusterSenshi]

"The Vlogger Interviews" is an ongoing series of vlogs and blogs exploring the definition of vlogging – from the vlogger's perspective, If you like this interview, I would appreciate your subscription to http://youtube.com/worldaccordingtorich on YouTube.  Contact me if you'd like to be considered for the next interview!

In this forth installment of "The Vlogger Interviews," I spoke with Richard Reynolds, a Maine-based vlogger whose YouTube channel, BusterSenshi reflects, as he calls it, the "zeitgeist," or spirt of the time. 

Though Reynold's videos provide information, they're not like broadcast news, "the trick behind web video is that it's got to be funny.  If you're not funny, people are going to leave your video."  Unlike watching news on television, "People don't say, oh the YouTube video is on, let's watch that."   In a very short period of time, a YouTube video has to capture an audience.

Reynolds mentions several "tricks" he and other vloggers use to "catch" his audience, beginning with "I make sure that the first five seconds is something you're going to love."  Other hints include make certain your video includes an embedded subscription button, and perhaps having a short opening intro clip.

The Vlogger Interviews: Andy Gunton

"The Vlogger Interviews" is a series of vlogs and blogs exploring the definition of vlogging – from the vlogger's perspective, If you like this interview, I would appreciate your subscription to http://youtube.com/worldaccordingtorich on YouTube.  Contact me if you'd like to be considered for the next interview!

As AndyMooseman on YouTube, Hastings, U.K. resident Andy Gunton has been vlogging since 2006.  He’s seen the online community grow from what was essentially a small village into online metropolis it is today.   Though YouTube is only about six years old, Andy things of his own videos as “old-fashioned vlogs.”

“I tend to do unedited videos. Sometimes it’s a stream of consciousness thing.  It’s usually based around some sort of topic…. things I see in the news, or whatever, just something that springs out of something that might have happened to you, that type of thing, maybe trying to get people to thing about things a little bit.”

In the past, he’s also done scenic or historical videos, taking his viewers on guided walks, or sharing a local occasional festival or event.

Though the public generally doesn’t perceive YouTube as a social network, Andy recalls that in 2006, it was just about the only game in town,  “In that time, Facebook was in it’s infancy. There was no such thing as Twitter, so it was the one place where you could more or less meet up and speak to each other and see each other as well.”

Why We're All Like Steve Jobs

I was a bit under the weather this past week, more Vlogger Interviews  next week!

On October 3, 2011, my niece's sci-fi e-novella, "Echoes," was published on Amazon.com and BarnesandNoble.com.  Obviously, I'm a proud uncle, and I'm hoping that the untold multitudes will plunk down their $2.99 to give "S.P. Blackmore's" sci-fi book a try.

I'm also happy and inspired to see the latest example of what I think is going to turn into a wave of newly-empowered entrepreneurs venturing into the world and creating futures impossible without the power of social and mobile technologies.

Just a couple of years ago, most people I knew really weren't sure what or even if online media, social media or "new" media was relevant to their own personal dreams.   Today, many of those same people are beginning to understand the potential, and are hard at work finding - or perhaps inventing - their own way through a brand new, intimately accessible business model.  Just as one can't build a house with a gift of untested tools,  most are still figuring out how to build their world - learning and improving day by day.  It's no longer a question of "if" there's a way to succeed digitally - it's a question of how. 

Success still takes talent and hard work - it's the access to opportunity that has changed. 

The passing of Steve Jobs, I think, says it all.  It's a massive passing of the torch.   His vision, innovation and enthusiasm created accessible technology that, in turn, is making it possible for a near constellation of dreamers to innovate and create as he once did - and making a living doing what they love to do.

And it's all just beginning.

The Vlogger Interviews: Robert Anton

"The Vlogger Interviews" is a series of vlogs and blogs exploring the definition of vlogging – from the vlogger's perspective, If you like this interview, I would appreciate your subscription to http://youtube.com/worldaccordingtorich.blogspot.com on YouTube.

My latest interview features Robert Anton, a musician from New York City who first ventured online as a means to promote his music, and discovered a much bigger world.

“I’m a singer, songwriter, performer, music publisher and I am here on YouTube basically to promote my music – but with that comes a lot of other things. Now I have four channels on YouTube, and across those platforms I think what I’m doing is mostly just getting my voice out there.  I’m sharing some of my opinions and some of my life experiences, and interacting with people from all over the world.”

I first met Robert Anton at Vidcon – the YouTube content creator’s conference – almost a year and a half ago.   In an event filled with over-the-top enthusiasm, he stood out.  I thought that was because he’d just been notified that he’d been accepted in the YouTube Partner’s program.   It wasn’t just that.   If you watch him on YouTube, you soon realize that Robert simply projects energy.    

The Vlogger Interviews: Lane Fournerat

Just what is vlogging, anyway?   

Ask a random selection of vloggers why they vlog, and you’ll get five different answers.  To some, it’s an opportunity to be an entrepreneur, to another a chance to make friends, or bring people together for a cause – or simply a means of pure self-expression. 

Ask those same vloggers how they vlog, and the road map becomes even more complicated.    The art of creating online video isn’t simply creating a video and posting it.   Vlogging is also an interactive art.  The vlogger, in a very real way, creates a direct connection to his or her audience. 

"The Vlogger Interviews" is a series of vlogs and blogs exploring the definition of vlogging – from the vlogger's perspective.

Lane Fournerat  of Lafayette, Louisiana has a whole family of YouTube channels – in TV terms, LaneVid is the vlogging equivelent of a variety show; TheFunnyRats (a play on his last name) is his reality show, co-starring his wife and baby girl.  Other channels feature his other interests – drumming, mobile apps – even video game walkthroughs.

“It’s me.  That’s the best way that I can describe it.  If you like what I like, then you’ll like what you see.”

According to Lane, The job of a vlogger isn’t simply to create content, but also “to build a core group of people who will really stand behind you and really appreciate what you’re doing for them, which is entertaining them everyday.”  His core audience becomes the vlogger’s friends and supporters.  The comments on a video aren’t just about feedback – they’re about true interaction.

Lane graduated from college with a  degree in the performing arts.  His dream, like so many others before him, was to become an iconic filmmaker, “I wanted to make my “Feature Length Film” - THE film I was going to be known by.”  Like so many others before him, though – it didn’t work out that way.  He discovered something better:  YouTube.

Jackass Videos, Bernie Madoff and Online Integrity

In a response to my recent blog, "Six Reasons Why Every Film Student Should Have a YouTube Channel," an educator responded with concerns about the integrity of the content that some content creators might choose to produce.  What kind of content has integrity?  What kind of content is worthwhile?  That's a difficult question, and varies depending upon age, culture and interests.  

If a YouTuber creates a Jackass knock-off that earns him tens of thousands of subscribers, does that content possess a specific standard of integrity for his audience?  If another creates an immensely popular channel promoting conspiracy theories and the illusion of journalistic values, can his follower's simple belief in his integrity actually define his integrity?

Art, as the saying goes, is in the eye of the beholder.  Integrity, defined by Meriam-Webster.com as "firm adherence to a code of especially moral or artistic values," is also distinctly subjective - varying between cultures, societies, neighborhoods - and even small groups of friends. 

At one time, Bernie Madoff was perceived as a man of great integrity:  A trustworthy, honest man with impeccable credentials who might be trusted with one's life savings. He formed and maintained an illusion for decades, stealing billions from investors in the pursuit of personal gain.  Violating the trust of virtually everyone, he proved himself to be a man without integrity of any definition.

Likewise, the YouTuber who creates (willingly or through ignorance) an illusion of journalistic integrity amidst suggestions of dark conspiracies is deceiving his followers with declarations of "evidence" where there is none, or of "experts" who are not whose own integrity would be questionable.  As Bernie Madoff deceived his clients, this content creator may be using and manipulating his audience strictly for personal gain, and has no qualms or even concerns about the accuracy of his content.

On the other hand, if the YouTuber creating a Jackass knockoff promises to entertain his audience with a certain type and quality of entertainment with each episode - and delivers on his promise - he might be said to have more integrity than the conspiracy theorist.  His audience's trust isn't mis-placed - they're obtaining what they seek.

But does the Jackass YouTuber really have integrity?  Isn't he, instead, promoting violence?  Isn't he contributing to the destruction of moral, ethical and artistic values across media by helping to popularize mindless entertainment?  After all, we're talking about thirteen year-olds throwing themselves into walls and jumping into thorny bushes. 

Does every film student - or content creator - need to be a moral crusader, create family friendly content, and ignore shallow celebrity culture?   As diverse individuals, the answer is no.  As prospective media professionals, however - it's imperative to understand and develop a sense of integrity to both content and career. 

THEN make some cool Jackass videos!

What's your opinion?

Abuse, Fame, and Other Things - A Review of "Family Band: The Cowsills Story"

A lone musician in his early 60's carries his guitar into a small English pub in Woodland Hills, California.  Amidst the clatter of the restaurant, and the disinterested voices of patrons and bartenders alike, he begins his lonely set.  In a voice-over, the musician introduces himself.  Once he was part of a band, he tells us.  They were famous, and they had a handful of top hits by the time he was seventeen - but today, most wouldn't recognize their name.   So begins Family Band: The Cowsills Story, a documentary journey through the lives of a singing family whose songs became standards of the era, but whose lives were nearly destroyed in the process.   The lone musician is Bob Cowsill, and he guides us through his family's harrowing journey.

The Cowsills at the height of their fame / Pic from their website

For a very few years in the late 1960's, The Cowsills were a musical and marketing sensation.  The band, consisting of various numbers of brothers, a sister - and their mom,  created enduring and even iconic hits  ("The Rain, the Park and Other Things", "We Can Fly," "Hair," "Indian Like"), dominated teen fan magazines, appeared everywhere on television (including the Ed Sullivan Show, where they performed on the same stage on which their idols, the Beatles had played a few years before).   They were the direct  inspiration for the "Partridge Family" sitcom.  Their image was so wholesome that they served as national spokespersons for the Milk Advisory Board appearing in numerous print and television ads.   Then, as quickly as they rose to fame, they spiraled into oblivion.